![]() One does miss the arrogance Hemsworth brought to the former under Branagh and Whedon’s stewardship he’s a little too noble, a little too princely to be of much comic or dramatic interest in the sequel. A lot of it comes from the built-in sibling rivalry between Thor and Loki, who forge a relationship strong enough to carry a movie - or, in this case, to carry a bored viewer through one. Still, what the conventional wisdom on The Dark World ignores is that there is some fun in this whirligig. The Oscar winner is basically wasted here enjoyable though it was in the first Thor to see Jane’s scientific resolve crumble under the weight of her attraction to the beefcake from beyond the stars, the second film reduces her to a wide-eyed damsel merely along for the save-the-universe ride. ![]() The sitcom quality extends from the barrage of quick-fire jokes to the meet-the-parents plot, a malnourished romantic comedy subplot in which Portman’s Foster becomes the interloper, dropped into the conflicts of her boyfriend’s royal family. For better or worse, The Dark World flattens out those aspirations to grandeur, emerging with a breezier spectacle. Worst of all, the villain is a total undistinguished zero: a conquering mythological bore played by Christopher Eccleston, not that you can really tell under all that makeup.īranagh’s Thor embraced the Shakespearean potential in the source material: It was a flawed but interesting mishmash of fish-out-of-water comedy and sci-fi palace intrigue. Some of the action is weightlessly digital. The dialogue can be tiresomely quippy, an imitation Whedonese. There’s the usual boring MacGuffin, which in this case is a vaguely defined gaseous super element the bad guy wants. There’s too much exposition - a dense info drop of backstory and lore that Anthony Hopkins, reprising the role of Thor’s haughty-regal father Odin, recounts via a Tolkien-lite voice-over prologue. Most of the negative things that have been said about Marvel movies over the years are present and accounted for in Thor: The Dark World. Tom Hiddleston’s recently vanquished Loki is there, too, scheming and mocking. It then whisks them around the galaxy, from Earth to the shimmering green-screen kingdom of Asgard to the bad guy’s gloomy screen-saver netherworld. ![]() The plot, a busy bit of nonstop incidents, reunites the big guy with the love interest of his first starring vehicle, Natalie Portman’s besotted scientist Jane Foster. As a refresher, it’s the one that pits Thor against a nihilistic elf supervillain. Sandwiched between Kenneth Branagh’s origin story and the explicitly comic reinvention that was Taika Waititi’s Thor: Ragnarok, the second solo adventure for Asgard’s hunkiest hero has a tendency to fade from memory. The 10 best movies in the Marvel Cinematic Universe, ranked What are the top 5 highest-grossing MCU movies so far? Like superheroes assembling to topple an intergalactic threat, critics and fans put aside their differences to collectively declare the zip-fizzle 2013 sequel Thor: The Dark World the worst Marvel movie.ĥ upcoming Marvel movies and TV shows that are really unnecessary ![]() While debate raged on about the zenith of the Marvel Cinematic Universe, consensus steadily formed around a single candidate for the title of the studio’s nadir. Is it the Oscar-winning pop-culture juggernaut Black Panther ? Maybe that all-time record-breaker Avengers: Endgame ? How about James Gunn’s funky Star Wars -meets- Dirty Dozen team-up comedy Guardians of the Galaxy ? Opinions vary, and no single favorite has emerged from this ever-continuing superhero franchise.įor years, though, a kind of general agreement was reached on the other end of the quality spectrum. Share Chris Hemsworth in Thor: The Dark World Disney/Marvel / Image via Marvel StudiosĪsk a random smattering of fans what the best Marvel movie is, and you’re likely to get a range of replies. Download Mobile Legends Bang Bang for Android.Download Adobe Flash Player for Windows.
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